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2023[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ee1b24″ text_font_size=\u00a0\u00bb25px\u00a0\u00bb text_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_2_text_align=\u00a0\u00bbleft\u00a0\u00bb header_2_font_size=\u00a0\u00bb40px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.2em\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb28px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb24px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Prof. Chavdar Popov, D.A.[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb||||||||\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb overflow-y=\u00a0\u00bbscroll\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ text_font_size_tablet=\u00a0\u00bb18px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb text_orientation_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb custom_css_main_element=\u00a0\u00bb||max-height: 500px; \/* \u041e\u0433\u0440\u0430\u043d\u0438\u0447\u0435\u043d\u0438\u0435 \u043d\u0430 \u0432\u0438\u0441\u043e\u0447\u0438\u043d\u0430\u0442\u0430 *\/||overflow-y: auto; \/* \u0412\u043a\u043b\u044e\u0447\u0432\u0430 \u0432\u0435\u0440\u0442\u0438\u043a\u0430\u043b\u0435\u043d \u0441\u043a\u0440\u043e\u043b *\/||padding-right: 15px; \/* \u0417\u0430 \u0434\u0430 \u043d\u0435 \u043f\u0440\u0438\u043f\u043e\u043a\u0440\u0438\u0432\u0430 \u0441\u044a\u0434\u044a\u0440\u0436\u0430\u043d\u0438\u0435\u0442\u043e *\/||||||}||||\/* \u0421\u0442\u0438\u043b \u0437\u0430 WebKit \u0441\u043a\u0440\u043e\u043b\u0431\u0430\u0440\u0430 (Chrome, Safari, Edge) *\/||.et_pb_text_2::-webkit-scrollbar {|| width: 15px;||}||||.et_pb_text_2::-webkit-scrollbar-track {|| background: #f1f1f1;|| border-radius: 0px;||||}||||.et_pb_text_2::-webkit-scrollbar-thumb {|| background: #aaacae;||}||||.et_pb_text_2::-webkit-scrollbar-thumb:hover {|| background: #aaacae;|| ||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n
Vassil Ivanov \u00e9tait l’un des artistes bulgares les plus idiosyncratiques et inimitables. Une grande partie de son art n’a pas d’\u00e9quivalent dans son pays d’origine. Talent polyvalent, outre le dessin et la peinture, il jouait du violon et s’int\u00e9ressait \u00e9galement \u00e0 la philosophie, la cosmologie, l’astrologie, la lecture des lignes de la main et le yoga. Ivanov \u00e9tait attir\u00e9 par les enseignements de Petar Deunov et, \u00e0 sa mani\u00e8re, il suivait certains des principes fondamentaux de Deunov, tant en ce qui concerne sa vision de l’art que sa philosophie de vie.<\/p>\n
La construction de soi d’Ivanov en tant qu’artiste \u00e9tait tout sauf anodine. De 1971 \u00e0 1974, il a v\u00e9cu \u00e0 Paris et, de mani\u00e8re intermittente, en Suisse. \u00c0 cette \u00e9poque, son opus a \u00e9t\u00e9 d\u00e9couvert par Picasso et Chagall, et il a d\u00fb rencontrer Giacometti. Il a expos\u00e9 dans divers endroits, de l’Europe \u00e0 l’Australie.<\/p>\n
La collection d’art de Vassil Ivanov de Boyan Atanassov a \u00e9t\u00e9 soigneusement s\u00e9lectionn\u00e9e et \u00e9quilibr\u00e9e, couvrant des p\u00e9riodes et des tendances afin de pr\u00e9senter l’artiste le plus pleinement possible. Outre les peintures \u00e0 l’huile, il existe des \u0153uvres \u00e0 la craie color\u00e9e et \u00e0 l’aquarelle, des dessins \u00e0 l’encre, au fusain et aux pastels noirs – des paysages, des natures mortes, des motifs figuratifs, des nus, des \u0153uvres abstraites. Sans oublier, bien s\u00fbr, le c\u00e9l\u00e8bre Cycle Cosmique : des formes frappantes sur fond noir ou blanc, les principaux \u00e9l\u00e9ments formants de la personnalit\u00e9 d’Ivanov en tant qu’artiste.<\/p>\n
En fait, la premi\u00e8re exposition d’Ivanov, comprenant des \u0153uvres de ce Cycle, a \u00e9t\u00e9 inaugur\u00e9e \u00e0 Sofia en 1964. Peu de temps apr\u00e8s, le New York Encyclopaedia of Visual Arts l’a d\u00e9crit comme le pr\u00e9curseur d’une nouvelle direction dans l’art, appel\u00e9e Graphique Cosmique.<\/p>\n
Cet instant cosmique est la principale raison pour laquelle Ivanov est rest\u00e9 \u00e0 l’\u00e9cart du courant artistique bulgare du 20e si\u00e8cle. Un artiste de son envergure et de sa qualit\u00e9 a d\u00e9montr\u00e9 que l’art bulgare du pass\u00e9 r\u00e9cent pouvait avoir des dimensions surprenantes et inattendues. D\u00e8s 1962, Petar Uvaliev d\u00e9clarait dans sa rubrique sur la BBC qu’Ivanov \u00e9tait pratiquement le seul repr\u00e9sentant de l’art bulgare moderne en Occident. Les impulsions cr\u00e9atives et les r\u00e9alisations d’Ivanov saisissent la forme visuelle et la transposent hors du Lebenswelt avec sa routine quotidienne, ses petits probl\u00e8mes personnels et ses stratag\u00e8mes sociaux. Son imagination s’envole haut, cherchant la substance spirituelle ; elle modifie radicalement l’\u00e9chelle, le point de vue et la perspective, comme si elle surmontait la gravit\u00e9 et les limites des sens.<\/p>\n
Avant d’arriver \u00e0 son cosmisme et sa visibilit\u00e9, au d\u00e9but des ann\u00e9es 1940, Vassil Ivanov s’\u00e9tait \u00e9tabli dans la tradition de l’art cam\u00e9ral. Ses premi\u00e8res \u0153uvres r\u00e9v\u00e8lent un regard d’artiste port\u00e9 sur la nature dans une contemplation po\u00e9tique et une immersion paisible. Ses paysages et natures mortes n’\u00e9taient pas marqu\u00e9s par l’imm\u00e9diatet\u00e9 de l’impressionnisme ou la monovision de la curiosit\u00e9. Leurs motifs \u00e9taient habituels, pour ne pas dire banals : Sofia et ses environs, des prairies, des chemins de terre, des terrains anim\u00e9s par une maison d\u00e9labr\u00e9e, un regard depuis la terre vers la mer… Pourtant, ils avaient leurs caract\u00e9ristiques significatives, les distinguant de la photographie peinte. On peut discerner dans la vision qui les produit le refrain panth\u00e9iste d’une spiritualit\u00e9 omnip\u00e9n\u00e9trante et d’une contemplation \u00e9clair\u00e9e, \u00e0 \u00e9quidistance de l’expression forc\u00e9e et du romantisme grandiloquent. La ligne d’horizon divise la toile ou la feuille en parties presque \u00e9gales, s\u00e9parant la terre et le ciel, de sorte que le paysage donne une apparence panoramique. La composition frontale produit une impression de calme ext\u00e9rieur; cependant, gr\u00e2ce \u00e0 l’utilisation de coups de pinceau sp\u00e9ciaux ou de traits de crayon, de texture ou d’accents visuels, l’artiste donne vie et dynamise le motif, \u00e9tablissant son unit\u00e9 dans la diversit\u00e9.<\/p>\n
Ivanov n’est pas encha\u00een\u00e9 par des formules clich\u00e9es : dans sa pens\u00e9e et son action, il cherche toujours \u00e0 atteindre et \u00e0 conserver le sentiment de naturel et de spontan\u00e9it\u00e9 qu’il estime devoir \u00eatre communiqu\u00e9 par ce type d’\u0153uvre.<\/p>\n
L’atmosph\u00e8re particuli\u00e8re r\u00e9sulte de la structuration compliqu\u00e9e des masses de couleur et des zones d’attraction et de r\u00e9pulsion des teintes chaudes, froides et interm\u00e9diaires d\u00e9riv\u00e9es, nuances et tons. Dans la plupart des cas, les figures humaines jouent le r\u00f4le de staffage ; cependant, m\u00eame lorsque la composition leur conf\u00e8re une pr\u00e9sence plus importante, leur fonction principale est de souligner l’unit\u00e9 entre l’homme et la nature. Souvent, le peintre pr\u00e9f\u00e9rerait sugg\u00e9rer plut\u00f4t que de d\u00e9tailler, laissant au spectateur une grande libert\u00e9 associative.<\/p>\n
Ces traits, caract\u00e9risant la peinture d’Ivanov, se retrouvent en grande partie dans ses dessins aussi, surtout des ann\u00e9es 1950. Un motif de paysage, par exemple, est d\u00e9velopp\u00e9 \u00e0 travers une s\u00e9rie d’esquisses et d’\u00e9tudes, certaines approchant d’une fin formelle. Dans les \u0153uvres plus abouties, on observe la douceur du d\u00e9grad\u00e9, le trait fin et vari\u00e9, le sfumato des taches et la souplesse des lignes qui vont de pair avec la simplicit\u00e9 apparente du sujet.<\/p>\n
La seconde p\u00e9riode de Vassil Ivanov a eu lieu de 1960 \u00e0 1970. Elle a \u00e9t\u00e9 marqu\u00e9e par des recherches et des r\u00e9alisations, motiv\u00e9es par des changements \u00e9volutifs s\u00e9rieux dans sa vision du monde et de l’art. Ces innovations se sont concentr\u00e9es dans son Cycle Cosmique.<\/p>\n
On pourrait remarquer entre parenth\u00e8ses que le cosmisme, en tant que th\u00e8me et vision du monde complexe, \u00e9tait li\u00e9 aux arts visuels au XXe si\u00e8cle. Nous pourrions commencer avec le peintre et musicien lituanien Mikalojus \u010ciurlionis, puis passer \u00e0 Nikolay Roerich et au cosmisme russe (en particulier le groupe Amaravela dans les ann\u00e9es 1920-1930) pour arriver \u00e0 Kazimir Malevich et au constructivisme. Ces tendances th\u00e9matiques r\u00e9v\u00e8lent des changements au sein de certaines couches de la culture artistique, d\u00e9clench\u00e9s par les \u00e9normes processus sociaux contemporains \u00ab\u00a0tectoniques\u00a0\u00bb. Alors, qu’est-ce qui rend sp\u00e9cifique le cosmisme de Vassil Ivanov par rapport \u00e0 ce contexte ?<\/p>\n
Le Cycle Cosmique est une s\u00e9rie de dessins, principalement r\u00e9alis\u00e9s au crayon blanc sur un fond sombre, presque noir, devenus embl\u00e9matiques. Ils sugg\u00e8rent l’improvisation, mais en raison de la gravit\u00e9 de la probl\u00e9matique artistique, ils donnent l’impression d’\u00eatre des \u0153uvres s\u00e9rieusement r\u00e9fl\u00e9chies et abouties. L’artiste utilise non seulement la pointe, mais tout le corps du morceau de craie. Il y a un certain symbolisme dans le choix m\u00eame de la technique et des mat\u00e9riaux utilis\u00e9s. Ivanov identifie la surface noire encore intacte de la feuille comme le gouffre sans fond et st\u00e9rile de l’espace, d’o\u00f9 l’image doit na\u00eetre. L’acte de l’artiste de toucher cette mati\u00e8re cosmique et de mouler les \u00e9l\u00e9ments de l’image \u00e0 partir de celle-ci est vu comme analogue \u00e0 une cr\u00e9ation par un d\u00e9miurge.<\/p>\n
La structure de l’image rappelle un filet tout-encompassant et complexe, semblable \u00e0 une toile d’araign\u00e9e – ou un labyrinthe, que le fil conducteur de la composition navigue pour donner l’impression d’un tout. La mati\u00e8re et l’espace interagissent de mani\u00e8re miraculeuse, la mati\u00e8re se d\u00e9mat\u00e9rialise tandis que nous regardons, et l’espace acquiert l’immensit\u00e9 de l’Univers, incommensurable avec la capacit\u00e9 des sens et de la compr\u00e9hension humains.<\/p>\n
Cependant, nous devrions noter que l’approche d’Ivanov n’a rien \u00e0 voir avec l’hybris, l’hypertrophie de l’ego et le drame interne de l’artiste moderne. Pour Ivanov, l’inspiration est plut\u00f4t une manifestation d’humilit\u00e9 et d’\u00e9merveillement devant la contemplation des rythmes et lois cryptiques du monde cr\u00e9\u00e9. Son \u00ab\u00a0visionnisme\u00a0\u00bb n’est ni arbitraire ni subjectif. Il d\u00e9coule d’une compr\u00e9hension plus profonde de l’unit\u00e9 cosmique et de l’inspiration de la mati\u00e8re qui est l’ossature de l’univers. D’o\u00f9 ces \u00e9tranges formes imaginaires, ces silhouettes allong\u00e9es d’origine extraterrestre, ces interrelations rythmiques et spatiales complexes, ces objets et substances d\u00e9fiant la gravit\u00e9 – tous r\u00e9alis\u00e9s via des moyens d’expression merveilleusement simples. Et cela n’est qu’une petite partie du Monde de Vassil Ivanov.<\/p>\n
Son art continue aujourd’hui d’\u00eatre aussi impactant que jamais, aussi \u00e9nigmatique qu’il l’est dans sa po\u00e9sie merveilleusement idiosyncratique et unique.<\/p>\n
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[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb–et_global_body_font||||||||\u00a0\u00bb text_text_color=\u00a0\u00bbrgba(255,255,255,0.8)\u00a0\u00bb text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_line_height=\u00a0\u00bb1.4em\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||5%||false|false\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb18px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height_tablet=\u00a0\u00bb1.8em\u00a0\u00bb text_line_height_phone=\u00a0\u00bb1.5em\u00a0\u00bb text_line_height_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]LE CYCLE COSMIQUE<\/strong> plonge le spectateur dans des paysages cosmiques, des corps c\u00e9lestes et l’immensit\u00e9 de l’inconnu. Le m\u00e9dium monochrome accentue la sensation de profondeur et d\u2019infinit\u00e9, \u00e9veillant un lien profond avec l\u2019univers. 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_module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ee1b24″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_2_text_align=\u00a0\u00bbleft\u00a0\u00bb header_2_font_size=\u00a0\u00bb40px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.2em\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb28px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb24px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Max-Pol Fouchet<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|700|on||||||\u00a0\u00bb text_font_size=\u00a0\u00bb19px\u00a0\u00bb 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Pourtant, cette ma\u00eetrise n\u2019est qu\u2019un moyen au service d\u2019une po\u00e9tique, d\u2019une pens\u00e9e, d\u2019une vision qui d\u00e9passe la simple r\u00e9ussite esth\u00e9tique, r\u00e9v\u00e9lant une profondeur unique et inimitable. \u00bb[\/et_pb_text][et_pb_button button_url=\u00a0\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjI3ODAwMyJ9fQ==@\u00a0\u00bb button_text=\u00a0\u00bbLire l’article complet\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _dynamic_attributes=\u00a0\u00bbbutton_url\u00a0\u00bb _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb13px\u00a0\u00bb button_text_color=\u00a0\u00bb#000000″ button_border_width=\u00a0\u00bb1px\u00a0\u00bb button_border_color=\u00a0\u00bb#000000″ button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb0px\u00a0\u00bb button_font=\u00a0\u00bbRoboto Condensed|||on|||||\u00a0\u00bb button_use_icon=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb3%|10%|3%|10%|true|true\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#017565″ button_bg_enable_color__hover=\u00a0\u00bbon\u00a0\u00bb button_border_color__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb button_border_color__hover=\u00a0\u00bb#017565″ button_letter_spacing__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb button_letter_spacing__hover=\u00a0\u00bb0px\u00a0\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(255,255,255,0.69)\u00a0\u00bb custom_padding=\u00a0\u00bb10%|2%|10%|2%|true|true\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb20%|5%|20%|5%|true|true\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ee1b24″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_2_text_align=\u00a0\u00bbleft\u00a0\u00bb header_2_font_size=\u00a0\u00bb40px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.2em\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb28px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb24px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Prof. Chavdar Popov, D.A.[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|700|on||||||\u00a0\u00bb text_font_size=\u00a0\u00bb19px\u00a0\u00bb custom_margin=\u00a0\u00bb0px||33px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]CONTEMPLATION DE LA NATURE ET VISUALISATION DU COSMOS[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|on||||||\u00a0\u00bb custom_margin=\u00a0\u00bb0px||33px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\u00ab D\u2019ailleurs, la premi\u00e8re exposition pr\u00e9sentant des \u0153uvres de ce cycle a \u00e9t\u00e9 inaugur\u00e9e au milieu des ann\u00e9es 1960 \u00e0 Sofia. Fait int\u00e9ressant, peu de temps apr\u00e8s, l\u2019Encyclop\u00e9die des Beaux-Arts de New York le d\u00e9crivait comme le pr\u00e9curseur d\u2019un nouveau courant artistique alors appel\u00e9 \u201cGraphisme Cosmique\u201d. C\u2019est pr\u00e9cis\u00e9ment avec ces dessins, et surtout gr\u00e2ce \u00e0 eux, que Wassil Ivanoff est rest\u00e9 largement en marge des principales tendances et courants stylistiques de l\u2019art bulgare du XXe si\u00e8cle. \u00bb[\/et_pb_text][et_pb_button button_url=\u00a0\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzNyJ9fQ==@\u00a0\u00bb button_text=\u00a0\u00bbLire l’article complet\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _dynamic_attributes=\u00a0\u00bbbutton_url\u00a0\u00bb _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb13px\u00a0\u00bb button_text_color=\u00a0\u00bb#000000″ button_border_width=\u00a0\u00bb1px\u00a0\u00bb button_border_color=\u00a0\u00bb#000000″ button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb0px\u00a0\u00bb button_font=\u00a0\u00bbRoboto Condensed|||on|||||\u00a0\u00bb button_use_icon=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb3%|10%|3%|10%|true|true\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#017565″ button_bg_enable_color__hover=\u00a0\u00bbon\u00a0\u00bb button_border_color__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb button_border_color__hover=\u00a0\u00bb#017565″ button_letter_spacing__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb button_letter_spacing__hover=\u00a0\u00bb0px\u00a0\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(255,255,255,0.69)\u00a0\u00bb custom_padding=\u00a0\u00bb10%|2%|10%|2%|true|true\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb20%|5%|20%|5%|true|true\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ee1b24″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_2_text_align=\u00a0\u00bbleft\u00a0\u00bb header_2_font_size=\u00a0\u00bb40px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.2em\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb28px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb24px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Kalin Nikolov[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|700|on||||||\u00a0\u00bb text_font_size=\u00a0\u00bb19px\u00a0\u00bb custom_margin=\u00a0\u00bb0px||33px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\u00c0 L’\u00c9POQUE DE L’ART AUTHENTIQUE[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|on||||||\u00a0\u00bb custom_margin=\u00a0\u00bb0px||33px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\u00ab Au-del\u00e0 ou au sein de la temporalit\u00e9 de l\u2019art ! Il a suivi la qu\u00eate des tendances contemporaines, emprunt\u00e9 un chemin profond et audacieux dans son \u0153uvre, a \u00e9t\u00e9 le premier artiste abstrait bulgare et s\u2019est distingu\u00e9 par une philosophie et une mani\u00e8re de travailler enti\u00e8rement personnelles. \u00bb[\/et_pb_text][et_pb_button button_url=\u00a0\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjI3ODAxMCJ9fQ==@\u00a0\u00bb button_text=\u00a0\u00bbLire l’article complet\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _dynamic_attributes=\u00a0\u00bbbutton_url\u00a0\u00bb _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb13px\u00a0\u00bb button_text_color=\u00a0\u00bb#000000″ button_border_width=\u00a0\u00bb1px\u00a0\u00bb button_border_color=\u00a0\u00bb#000000″ button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb0px\u00a0\u00bb button_font=\u00a0\u00bbRoboto Condensed|||on|||||\u00a0\u00bb button_use_icon=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb3%|10%|3%|10%|true|true\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#017565″ button_bg_enable_color__hover=\u00a0\u00bbon\u00a0\u00bb button_border_color__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb button_border_color__hover=\u00a0\u00bb#017565″ button_letter_spacing__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb button_letter_spacing__hover=\u00a0\u00bb0px\u00a0\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(255,255,255,0.69)\u00a0\u00bb custom_padding=\u00a0\u00bb10%|2%|10%|2%|true|true\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb20%|5%|20%|5%|true|true\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ee1b24″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_2_text_align=\u00a0\u00bbleft\u00a0\u00bb header_2_font_size=\u00a0\u00bb40px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.2em\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb28px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb24px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Deyan Kiuranov, PhD[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|700|on||||||\u00a0\u00bb text_font_size=\u00a0\u00bb19px\u00a0\u00bb custom_margin=\u00a0\u00bb0px||33px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]WASSIL IVANOFF, CR\u00c9E PAR LUI-M\u00caME[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|on||||||\u00a0\u00bb custom_margin=\u00a0\u00bb0px||33px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\u00ab En 1971, l\u2019artiste visuel Wassil Ivanoff s\u2019est rendu \u00e0 Paris depuis sa ville natale de Sofia. Pour un artiste de la R\u00e9publique populaire de Bulgarie de l\u2019\u00e9poque, Paris n\u2019\u00e9tait pas seulement un lieu de rencontre avec l\u2019art mondial, mais aussi une partie de l\u2019Occident, o\u00f9 l\u2019art \u00e9tait per\u00e7u diff\u00e9remment \u2014 tant sur le plan esth\u00e9tique que commercial. 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text_line_height=\u00a0\u00bb1.4em\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||5%||false|false\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb20px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb20px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00ab …Nous reconnaissons que nous sommes en pr\u00e9sence [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ee1b24″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_2_text_align=\u00a0\u00bbleft\u00a0\u00bb header_2_font_size=\u00a0\u00bb40px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.2em\u00a0\u00bb 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l\u2019huile et son expression intemporelle sur toile et carton.[\/et_pb_text][et_pb_button button_url=\u00a0\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjI3ODM2MyJ9fQ==@\u00a0\u00bb button_text=\u00a0\u00bbD\u00e9couvrez\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _dynamic_attributes=\u00a0\u00bbbutton_url\u00a0\u00bb _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb15px\u00a0\u00bb button_text_color=\u00a0\u00bbrgba(255,255,255,0.8)\u00a0\u00bb button_border_width=\u00a0\u00bb1px\u00a0\u00bb button_border_color=\u00a0\u00bbrgba(255,255,255,0.8)\u00a0\u00bb button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb0px\u00a0\u00bb button_font=\u00a0\u00bbRoboto Condensed|||on|||||\u00a0\u00bb button_use_icon=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb 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des artistes bulgares les plus idiosyncratiques et inimitables. Une grande partie de son art n’a pas d’\u00e9quivalent dans son pays d’origine. Talent polyvalent, outre le dessin et la peinture, il jouait du violon et s’int\u00e9ressait \u00e9galement \u00e0 la philosophie, la cosmologie, l’astrologie, la lecture des lignes de la main et le yoga. Ivanov \u00e9tait attir\u00e9 par les enseignements de Petar Deunov et, \u00e0 sa mani\u00e8re, il suivait certains des principes fondamentaux de Deunov, tant en ce qui concerne sa vision de l’art que sa philosophie de vie. La construction de soi d’Ivanov en tant qu’artiste \u00e9tait tout sauf anodine. De 1971 \u00e0 1974, il a v\u00e9cu \u00e0 Paris et, de mani\u00e8re intermittente, en Suisse. \u00c0 cette \u00e9poque, son opus a \u00e9t\u00e9 d\u00e9couvert par Picasso et Chagall, et il a d\u00fb rencontrer Giacometti. Il a expos\u00e9 dans divers endroits, de l’Europe \u00e0 l’Australie. La collection d’art de Vassil Ivanov de Boyan Atanassov a \u00e9t\u00e9 soigneusement s\u00e9lectionn\u00e9e et \u00e9quilibr\u00e9e, couvrant des p\u00e9riodes et des tendances afin de pr\u00e9senter l’artiste le plus pleinement possible. Outre les peintures \u00e0 l’huile, il existe des \u0153uvres \u00e0 la craie color\u00e9e et […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-137","page","type-page","status-publish","hentry"],"yoast_head":"\n
de l\u2019un de ces cr\u00e9ateurs qui,
\u00e0 juste titre, sont les gardiens de la lumi\u00e8re… \u00bb<\/p>\nTraces \u00c9l\u00e9mentaires<\/h2>\n
Paysages en mouvement<\/h2>\n
Formes en transformation<\/h2>\n
Encre et Alchimie<\/h2>\n
\u00c9chos de lumi\u00e8re et de couleur<\/h2>\n